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Thursday, September 8, 2011

Tori Amos - Spark

Cover of "From the Choirgirl Hotel"Cover of From the Choirgirl HotelNews that Tori was soon to be gracing our shores here in SA got me running back to the house to dig up my copy of From the Choirgirl Hotel - by far my favourite (and in my opinion her most dangerously engaging) album.

I remember hearing the album for the first time and exiting the tail end of it physically exhausted and distraught, not least for the hard and unnerving employment of noise in the recording, nor Tori's weird and wonderful wailing between moments of sweet and  seductive siren-ing. (Yes, I make up words sometimes.)

Distortions, strange amplification, and just plain crazy musical variations make Choirgirl a masterpiece in the context of Albums by Iconic Women in Rock.Fuckit, never mind that - it's a great freaking album any way you want categorise it!

"Spark" - which opens the album - is a brilliant example of Amos' musicality over a tangential and seemingly obtuse sense of subject and lyric. The odd-time verses are an outstanding counter to the beautifully singable chorus.

And if you took the time to try to decode the lyrics, you'd find a number of possibilities and references that would appeal.

Fantastically appropriate video too, which in a way raises more questions and possibilities than answers.



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Thursday, September 1, 2011

Midnight Oil - The Dead Heart

Cover of "Diesel & Dust"Cover of Diesel & DustMost people I've seen dancing in retro clubs remember the first single from Diesel and Dust ("Beds are Burning").

But the album as a whole is probably one of the top - certainly in my top 20 - albums of the 80s. And there are PLENTY of albums from the 80s that are exemplary.

What set D&D apart for me was the combination of political sincerity (Garrett is still a politico), classic album mix (still love the way those guitars bounce all over each other), and the songs - well, you'd be hard-pressed to find more economically blissful songs on one album.

It seemed for a while there that between The Oilers and Crowded House, Australia/NZ were becoming the new caretakers of truly wonderful pop and rock. By this time, remember, Stock Aitken and Waterman had started taking over UK markets with their dance-oriented brand of radio pulp.

But Diesel and Dust (along with The House's Crowded House, Temple of Low Men and later Woodface), still holds up today as a collection of songs that exceed expectation and indeed many peers' lifespan.

To whit: The Dead Heart - the opening track to side B (yes, we had vinyl records then).




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